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2006 Exhibitions

 

Main Gallery
February 9 -March 9, 2006
Winter Festival Juried Art Show
Guest Juror: Alexandra Badzak

The Winter Festival Juried Art Show is a showcase for local and regional artists and fulfils a central role in the region, providing the only professionally juried show that serves the area. Click here for the winners of the 2006 Winter Festival Juried Art Show

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Fringe Gallery

February 9 - February 23, 2006
Winter Festival  Art Show


The WFJAS is the only juried exhibition in the province that displays all the works entered for a two-week period.


March 1- 31, 2006
Polska, Kraina Przodkow

“My Father’s Homeland”
Prints by Pat Grayston
Curated by Brenda Barry Byrne

Pat Grayston’s work represents memories and experiences associated with the Jewish Holocaust during the second World War. Holocaust Remembrance Day is April 25, 2006. The Holocaust was the systematic persecution and murder of Jews, and other groups because of perceived Nazi racial, political and behavioural inferiority.
 

Main Gallery
March 20 –May 30, 2006
Biennial SCAM
Curators: Brenda Barry Byrne, Heather Smith, Kim Houghtaling, Linda Sawchyn, Joanne Marion, George Harris

SCAM represents the Small City Art Museums curatorial collective. This exhibition is the result of a Prairie-wide call to artists for proposals. From the hundreds of proposals, a selection of ten was made, each with an eye to presenting a set of works with a series of internal links, each critically engaged with its chosen media, each offering a different view of the forces driving contemporary art practices in the Prairies.

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Fringe Gallery
April 3 – May 5, 2006
3rd Annual School Art Exhibition


Studio Gallery
April 3 – May 5, 2006
3rd Annual School Art Exhibition

Fringe Gallery
July & August, 2006
Annabelle Taylor Memorial and the Spinners & Weavers Guild of Prince Albert
Curated by Brenda Barry Byrne

Display of the work of the late Annabelle Taylor and the local spinners and weavers of Prince Albert.

 
Blue scarf by Annabelle Taylor Pink Lady Running by Annabelle Taylor Another Year, Another Party by the P.A. Spinners & Weaver's Guild  

Main Gallery
June 2 -July 31, 2006
Historica Florissma
Curated by : Brenda Barry Byrne

The work of Ruth Chambers, Rory MacDonald, Jeannie Mah and Martin Tagseth resonates with historical patterns of flora; exploring notions of beauty, diaspora, yearning, and the ceramic surface, its historical, cultural and formal meanings. The artists use the material of clay, both formally and conceptually, in very different ways, their geographical and ceramic affinities presenting a confluence of pattern and place, wherein the exploration begins.

Ruth Chamberlain
Jeannie Mah
Martin Tagseth
Rory MacDonald

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Fringe Gallery
May 15 – June 15, 2006
Foi et Persévérance/ Faith and Perseverance

This travelling exhibition reflects upon the contribution to the preservation and promotion of the French language and culture in the Provinces of Saskatchewan, Manitoba and Alberta, by Roman Catholic Religious Congregations. It includes bilingual informative panels, photos and artifacts.

Fringe Gallery

June 16 - July 15, 2006
Dana Wareing Popescul: A Tribute

This is a retrospective of the work from the late Dana Wareing Popescul, a well known and missed local artist. Her work presents a combination of fun, fanciful and daring; pushing the boundary between art and practical object.

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Main Gallery
August 4 - September 30, 2006
Wood, Salt and a Century of Clay
Curated by Brenda Barry Byrne

This exhibition showcases the work of three Saskatchewan Artists; Mel Bolen, Charley Farrero and Anita Rocamora. Collectively these three artists have a century of experience in working with clay. Both wood firing and salt firing techniques display how fire, ash and salt affect the surface of clay. These techniques negate the need for glaze. Each method produces surprising and unpredicatble results.
Wall Plaques by Anita Rocamora
Charley Farerro
Mel Bolen
Vessels by Mel Bolen, Charley Farerro and Anita Rocamora

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Fringe Gallery
August 31 - October 22, 2006
Psychology and the Vessel
by Linda Erhardt
Curated by Brenda Barry Byrne

This exhibit features paintings by local artist Linda Erhardt.
 
Out of time out of place by Linda Erhardt
Facets by Linda Erhardt
Revine by Linda Erhardt
Main Gallery
October 2 - November 26, 2006
Dana Claxton - Tales of Sitting Bull
Curated by Heather Smith
This is a commissioned video installation by Dana Claxton, which represents a 21st century celebration that artistically honours Sitting bull and his band members through the use of media art and installation. It consists of interview footage with local people in Moose Jaw - both Aboriginal and non-Aboriginal of all age groups - images of landscapes, cultural items, and historical and contemporary documents that all support the reality of Sitting Bull in Moose Jaw.
October 21 - 22, 2006
Kyla Art Show

Fringe Gallery

October 26 - 29, 2006
OSAC Showcase


Main Gallery/Fringe Gallery
November 17 - 20, 2006
Festival of Trees

In conjunction with the Victoria Hospital Foundation, the Art Gallery of Prince Albert will be participating in the Festival of Trees. This year's theme is "Making Spirits Bright". We are asking schools to participate in the poster contest. All posters should be submitted to the gallery by November 13th; they will be on display from November 17th to 20th.
Fringe Gallery
November 7, 2006 - January 5, 2007
Thomas Porter: Documented Suites

Curated by Brenda Barry Byrne
This exhibition features the varied work of local Prince Albert photographer, Thomas Porter.
Red Tailed Hawk by Thomas Porter
Rattlesnake by Thomas Porter

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Main Gallery
December 7, 2006 - January 28, 2007
Technologies of Tenderness by Susan Shantz
Curated by Joanne Marion

In Technologies of Tenderness, Susan Shantz has created works which incorporate both an awkward, soft-bodied vulnerability and the smooth-surfaced geometry of systems and machines designed to support - if not nurture - those bodies. Specifically, Shantz was inspired by the birth of her son, a birth which necessitated a high degree of medical intervention. The work in this exhibition has evolved over the six years since the birth of Shantz's son; various pieces in the exhibition have previously been shown at galleries in Canada and the United States.
Excerpt taken from the accompanying catalogue for the exhibition

 

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